Meda Meeda Abbayi (2017) Telugu DVDScr Full Movie

Meda Meeda Abbayi (2017) Telugu DVDScr Full Movie Download this movie is directed by Ranjit Tiwari full movie size is 900 mb blueray. this hd Movie Free Download written by Neeshita Nyayapati,Meda Meeda Abbayi Full movie Download Free HD Highest Qulaity and downloading. Meda Meeda Abbayi 2017 Full Movie Dailymotion 720P,Watch Meda Meeda Abbayi 2017 mp4full Full Movie Free.

CAST: Allari Naresh, Nikhila Vimal, Hyper Aadi, Srinivas Avasarala
DIRECTION: C Prajith
GENRE: Comedy
DURATION: 2 hours 10 minutes

 

Meda Meeda Abbayi (2017) full Movie Details

Movie Name:  Meda Meeda Abbayi
Movie Year:  (2017)
Movie Size:  700.46 MiB
Movie Quality:  DVDScr
Country:  India
Movie Language:  Telugu
Available On: IMBD

 

   

Story Line:

An official change of the Malayalam film ‘Oru Vadakkan Selfie’ that featured Nivin Pauly in the number one spot part, ‘Meda Mida Abbai’ sees an egotistical man sent on an unwilling excursion after a selfie undermines to destroy his life.

Meda Meeda Abbayi (2017) Movie Free Download 720p DVDScr

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Full Movie Review:

Numerous stories have been told about the other side of become friends with and believing somebody you have just met on the web. That you never truly know a man taking cover behind an Internet screen is something that has been pounded in our heads by a grip of movies, including the as of late discharged ‘Vellipomakey’. Be that as it may, ‘Meda Mida Abbai’ figures out how to utilize, and turn that story on its head, while concentrating on the adventure of a narrow minded man, who ends up relating a devastated young lady, not out of affection but rather unadulterated magnanimity.

Srinu (Allari Naresh) is a designing understudy, who has 26 back papers and no point in life. He trusts he is legitimized in requesting that his persevering father get him a tab or notwithstanding taking cash from his mom by composing long stories. His companions, Bandla Babji (Hyper Aadi) and Karthu (Satyam Rajesh), are similarly purposeless in life. In any case, Srinu needs to wind up plainly a movie producer and work with SS Rajamouli so he can make his folks pleased and, also, acquire some cash.

In strolls a pretty young lady, Sruthi (Nikhila Varma), into his life as his new neighbor. Propelled by her and incensed by his dad declining to get him a tab or enabling him to think about filmmaking, Srinu chooses to change his life, however things just never appear to work out for the confused chap. He flees to Hyderabad to work in the film business, and meets Sruthi on the prepare. A selfie clicked by him in the prepare lands him stuck in an unfortunate situation.

The film that begins as a clever story of a washout accept a regal bend post interim and transforms into a spine chiller deserving at least some respect. For the individuals who have seen the first in Malayalam, there’s truly just the same old thing new to offer here, not amazing considering that G Prajith coordinated the two renditions. The motion picture takes after its unique; practically casing to edge and exchange to discourse. Changes are far and few in the middle of in this story bound with shocking turns. While the primary half figures out how to weave in some turns of phrase obviously by Naresh fans, the second half remains focussed, avoiding any prosaisms.

On the off chance that you enter the venue expecting a run of the mill Allari Naresh film and a thoughtless giggling riot, you’d be baffled. Likewise don’t expect a romantic tale in the midst of all the frenzy. This film has an appropriate storyline with the attention more on narrating and feelings instead of on two part harmonies. Naresh figures out how to stand his ground in a part that had been tried by the skilled Nivin Pauly in the first. While Manjima figured out how to make a superior showing with regards to with being the grief stricken young lady in the Malayalam film than Nikhila, Srinivas Avasarala does well in his character — private criminologist Yugandhar.

‘Meda Mida Abbayi’ is justified regardless of a look for those exhausted of run-of-the-plants stories that Tollywood appears to produce as a rule. Give it a possibility only for its freshness, if nothing else.

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